Have posted a couple more older remixes to my Soundcloud page, both of which were originally for competitions on the Acidplanet website.
Starting with Bleed Electric’s Birds as High as Planes (ScarKord Remix), which is a pretty frenetic Drum and Bass version with some lovely bass sweeps and a crazy amount of edits on the vocals.
This is followed by a remix of Drowning in Ecstasy by Lords of Acid. My main recollection of this remix is that I really didn’t think much of the vocals, particularly in the verses, so I went full on Cylon with the help of a Vocoder to dirty them up and disguise the cheesy lyrics. Add some Aphex style percussion and an overdriven acid bassline and there you have it!
Have posted a few more remixes to my Soundcloud account, two some of you may of heard before and one you definitely won’t have!
Firstly, I’ve uploaded my remix of Jesus Jones‘ ‘Idiot Stare’ from back in 2005. Not much to say about that one other than it was already a good track, and I (hopefully) improved it a little by beefing up the drums.
The second track is a lot more exciting though, and truly a lost remix! The story behind my remix of Gabriel Rios‘ track ‘Broad Daylight’ starts in 2007. I was working for the Digital Agency LBI and one lunchtime, demonstrated to a colleague Paul how I used Sonic Foundry’s Acid software to produce my remixes. He passed me the Gabriel Rios track to see what I could do with it and this is the result.
Ten years on, and it still sounds really fresh to my ears. I should probably have put it out long ago, but better late than never!
Rounding things off is one of two remixes I did of the Amanda Blank track ‘Might Like You Better’ back in 2009.
The other remix was a quick drum and bass remix, but trust me, this was by far the better version. It even has one of my trademark fake endings with bonus acid synths.
This outputs three channels of drum triggers (or gates) through the CV Pal module, all perfectly synced to Ableton Live. So I wanted to do something creative with the unused fourth CV Pal output.
Max For Live Patch
I came up with a simple Max For Live patch which outputs a MIDI note at regular intervals ranging from half-notes through to 32nd notes. By using this in-line with the Grids emulation and CVPal controller, it acts as a clock source for the Pico Trigger module giving me lots of trigger options for my drum modules.
Have decided I needed a few more HP’s for drum synth modules, both to expand my sound palette and add extra modulation sources. So, I purchased a Make Noise 104HP Skiff and have just finished filling it up – isn’t she pretty!
Still want to revisit using Arcade buttons as triggers in the future, but for now this is providing a lot of random percussion fun! This is thanks in large part, to the three Erica Synths Pico modules which give a nice mix of controlled and uncontrolled triggers, lfo’s, sample and hold and noise. And all in bite-sized 3HP chunks!
The Bastl Instruments Tea Kick is another of the new modules and it sounds lovely and clear with a real weight behind it, but still very musical too. This is in the new, aluminium styling, rather than the wooden front panels Bastl normally use but it looks amazing.
CV Pal is being used with Max For Live to emulate the Mutable Instruments Grids, and a great job it does at that too! Dead simple to set up too, so will put together a video on that perhaps. You can get the CV Pal in a kit at Thonk for under £30 (plus VAT) at the moment, and it’s well worth looking into.
The Pico Trigger is amazing and really easy to program with the browser based pattern editor which works great from my iPad. 8 patterns can be stored in the module at any one time, even after powering off.
I particularly like the way that each of the 4 tracks has an independent length parameter (1 to 16 steps), great for programming polyrhythmic patterns that change over time.
The arcade buttons aren’t yet functional, but there is a DIY section on the Doepfer website which helpfully explains how to build a manual gate so I’ll start there; just waiting for some veroboard and a 6HP blank panel to be delivered first.
Nearly finished with my rebuild of the modular synth. The Tiptop Mantis Case is full and I’ve also built a second suitcase synth based around modules from Mutable Instruments, Including the ‘Ears’ module which Santa got for me 🙂
So now I’ve turned my attention to building a portable, Eurorack based Drum Machine. Here’s a mock-up of what it could look like…
The core pattern sequencing will be handled through the Erica Synth Pico Trigg module, with the 5 arcade buttons at the bottom allowing me to manually trigger Accent and Choke on the two ALM Taiko modules as well as the Trig input on the ALM Pip Slope.
An ALM PE-1 rounds things off, doubling as a handy 2:1 mixer in addition to EQ duties.
The new rack is starting to take shape, but I have hit a bit of a snag! The case (made by Tip Top Audio) isn’t deep enough to house my Mark 1 Z3000 oscillator (also made by Tip Top Audio)! So it’s a good job I bought the Mark 2 version.
More selling on ebay methinks!
Also looking to get a Mutable Instruments Ears module soon to trigger my Rings module, as ably demonstrated in this video…
Decided to have a major upgrade of my studio and also try and fully integrate the modular with my laptop setup.
First purchase was the Maschine Jam which has really renewed my love for Maschine and should elevate it beyond the role of ‘just’ a drum machine.
I then ordered some Expert Sleepers ES-40, ES-8CV and ES-8GT modules to let me trigger the modular from within Ableton, Maschine and Reaktor – only really scratched the surface but it looks to be a really flexible solution, and the integration with Reaktor is mind blowing.
Today, I took delivery of a new modular case, a Tiptop Audio Mantis, and it’s a beautiful piece of engineering for a brilliant price (at least, relative to other Eurorack cases).
Here’s the empty case which I’ll be filling up this evening as I transfer my modules across.
Tiptop Audio Mantis case
Also replaced my beloved Nord Drum with a Dinky’s Taiko drum synthesizer module too which I’ll be trying out later this evening. (I’ve multi-sampled the Nord into 20 or so Maschine kits, so still have access to its electro sounds – might even put those kits up for sale at some point).
Final piece I’ve ordered is a second Tiptop Audio Z3000 oscillator to compliment my old Mk1 module, which is waiting for me at the local post office.