Have been working on Max For Live patches to sequence my Drum Skiff.
As I mentioned previously, I’m using an excellent Max For Live Mutable Grids emulation by Mots, along with a CVPal controller patch from Spektro Audio. (Check out their CV Toolkit too!).
This outputs three channels of drum triggers (or gates) through the CV Pal module, all perfectly synced to Ableton Live. So I wanted to do something creative with the unused fourth CV Pal output.
Max For Live Patch
I came up with a simple Max For Live patch which outputs a MIDI note at regular intervals ranging from half-notes through to 32nd notes. By using this in-line with the Grids emulation and CVPal controller, it acts as a clock source for the Pico Trigger module giving me lots of trigger options for my drum modules.
Happy New Year!
Just stumbled across one of my early Jesus Jones remixes from 2002 (gathering dust on an old hard drive) and it still sounds pretty good!
Another mix from my archives. This time, a mini mixtape of sorts built around drum and synth loops from various Meat Beat Manifesto tracks, remixes and solo tracks by Jack Dangers. Includes the obligatory ‘Radio Babylon’ too but with a new, dirty acid bassline I added in there to spice things up a little. “It’s in my brain now…” and hopefully, in yours too
Thought it was about time I came out of hibernation. Lovely sunny day in London, so I dug this Squarepusher remix out of my archives.
All drum edits done by hand – none of that Glitch or StutterEdit nonsense for me 😉
Wonder what else I can find in the archives ????
Just finished my second remix for Savage Sound System featuring vocals by Werd. Couldn’t decide whether to go uptempo or downtempo, so included elements of both in the same mix
Very different sounding to the original, both musically but also in terms of the vocals which have tons of microedits to get the timing to fit. Really happy with how it turned out, particularly the switch to the double time ‘rap’ section at around 1:15.
The instrumental part from 1:45 onwards reminds me a little of Orbital now I think of it, but this was entirely unintentional 😉
Here’s my latest remix, a reworking of the track ‘Tether’ by Plaid. Sincerely hope I’ve done it justice 🙂
Glitchy remix from a few years back of the Clear Air Turbulence track ‘Vampires’, featuring Siqboi on vocals (in there somewhere 🙂 ). Given an update, a bit of spit and polish and some analogue bassline goodness for 2013.
New ScarKord remix for you to enjoy. This time a remix of the Gary Numan track ‘Love Hurt Bleed’ from his excellent album, Splinter (Songs From A Broken Mind).
I tried to take it in a darker, more electronica direction and I’m really pleased with how it turned out.
Here’s a new remix I’ve done for Savage Sound System that will be featured on their forthcoming remix EP.
I have a soft spot for singers and rappers who don’t try and disguise their regional dialect, so really enjoyed remixing this track. Had a lot of fun squeezing some Native American chanting into the choruses too (You’ll understand when you hear it) and did literally hundreds of micro edits to get the drums swinging just right.
The remix is underpinned by some lovely evolving pads, courtesy of the excellent Hideaway Studio Blue Zone series, using a combination of their Ambivox and Heavenly Pad instruments. Definitely worth checking out and really reasonably priced too!
Have just been going through some backups and came across a folder of old ScarKord remixes. Have spent the evening listening to them, reminiscing and in some cases, wondering just how the hell did I come up with those sounds / arrangements / breakdowns / drops (delete as appropriate).
Anyway, it’s both inspired me to do some new remixes and reminded me that I did some pretty good remixes in the past. I’ve put a selection up on Soundcloud for your listening pleasure. If you are in a band and like what you hear, get in touch and we can have a chat about a ScarKord remix of your very own (ha ha). Jason at scarkord dot com