Have been working on Max For Live patches to sequence my Drum Skiff.
As I mentioned previously, I’m using an excellent Max For Live Mutable Grids emulation by Mots, along with a CVPal controller patch from Spektro Audio. (Check out their CV Toolkit too!).
This outputs three channels of drum triggers (or gates) through the CV Pal module, all perfectly synced to Ableton Live. So I wanted to do something creative with the unused fourth CV Pal output.
Max For Live Patch
I came up with a simple Max For Live patch which outputs a MIDI note at regular intervals ranging from half-notes through to 32nd notes. By using this in-line with the Grids emulation and CVPal controller, it acts as a clock source for the Pico Trigger module giving me lots of trigger options for my drum modules.
Well, I’m making rapid progress. Have already built the frame for the Eurorack Drum Machine, based around a repurposed Pittsburgh Modular Cell 48 case, and installed three of the modules.
The Akemies Taiko and Pip Slope modules should be arriving early next week.
The Pico Trigger is amazing and really easy to program with the browser based pattern editor which works great from my iPad. 8 patterns can be stored in the module at any one time, even after powering off.
I particularly like the way that each of the 4 tracks has an independent length parameter (1 to 16 steps), great for programming polyrhythmic patterns that change over time.
The arcade buttons aren’t yet functional, but there is a DIY section on the Doepfer website which helpfully explains how to build a manual gate so I’ll start there; just waiting for some veroboard and a 6HP blank panel to be delivered first.
Also contemplating squeezing in a Synthrotek 555 LFO too to add some modulation.