First new music recorded in Ableton Live 11, also featuring a great new Kontakt instrument Swarmitar from Paul Koch which provides the pads which underpin the track.
Here’s the third and (probably) final Meat Beat Manifesto mixtape and I’ve gone downtempo for this one.
New ScarKord remix over on Metapop of Adam Buxton’s Ramble Chat jingle. The only rules were that you had to use at least two of the original audio files and it had to be 1 minute or less long.
Was pleasantly surprised at how much multi-tracking was going on with the vocals so I thought it was only fair to use most of them in the first part of the mix. Then decided a slightly more monotone / robotic vocoded sound worked better for the latter ‘Blah, blah, blahs’.
Happy New Year! Reflecting on the strange year that was 2020, the additional time spent at home was actually very productive for me. Certainly, I’m intending to keep the momentum going so thought I’d have a trawl through my archives to see if there were any hidden gems to share for my first post of 2021.
Here’s a previously unreleased remix of the seminal Acid House classic, ‘Acid Man’ by Jolly Roger, which I created back in 2003.
It starts with a slight Detroit influenced intro before going full-on tribal acid. All I know is that it had me bouncing in my chair this morning, which can’t be bad for something tucked away on a hard drive for 17 years!
Some days, you just need to listen to breakbeats. Today is one of those days, and inspired my second Meat Beat Manifesto ‘Mixtape’.
Certainly had fun chopping up and fusing the beats together. And thought I’d add a little downtempo outro at the end for those more familiar with Jack Danger’s back catalogue.
It also gave me the chance to take the new Cubase 11 SpectraLayers for a spin too and was amazed at how well it extracted the vocals from ‘Oblivion’. The mix was done in Ableton though, just because I find it quicker for this sort of thing.
And speaking of Oblivion, that segues nicely into some other news. I’ve been beta testing a new drum synthesiser plugin ‘Hex Drum’ for Oblivion Sound Lab which is now available. It’s inspired by the classic Simmons SDS series which is also the inspiration for it’s name. I even created a one of the preset kits too ‘ScarKord Sonar’. Definitely one to check out.
Going through old hard drives and found some early demos from the Woodland EP sessions which for one reason or another didn’t make their way onto the EP. With the benefit of a bit of distance, they actually don’t sound half bad so thought I’d add one of them as a bonus track.
Here’s an impromptu collaboration with el-bo
I really thought it had potential though, so decided to see if I could develop it further and this is the result!
Again, in the spirit of the challenge, it only features Sound Aesthetics libraries.
Despite everything else that is going on in the world, I’ve not been this productive in years!
Here’s a new piece of music I wrote this evening, using only sounds from the Fragments Kontakt Library, created by Sound Aesthetics Sampling.
You may also have noticed it isn’t released under my usual ScarKord moniker, but rather my own name. I’m just having a play at being a ‘serious’ composer for a bit, so anything vaguely filmic will be posted to that Soundcloud account, leaving ScarKord for remixes and more typical electronica.
Wow, music lessons seem a lot more fun than back in my day 🙂
This is a piece of music I wrote with my son, James, for one of his remote learning lessons. He had to come up with a theme for a Mario / Sonic style platform game as well as a motif to play when the level clears.
But of course, it can’t all be nostalgia, so I gave him a couple of unused ScarKord dubstep beats to play with too.
Day three of Ableton‘s #loopathome and it was a strange one. The challenge this time was to follow a list of instructions and see what the end result would be.
The first line of instructions read… “Go to the kitchen and listen to the sound of the refrigerator…”. I really wasn’t sure what to expect after that start, but I thought I’d go with it.
Unfortunately, our fridge is really quiet so I had to resort to the freezer instead. After struggling to try and synthesise it’s noise, I decided to do an impersonation of the humming sound which turned out to be a stroke of luck as it also provided the source material for the melody lines too.
Where is this going?
By the time I got to step three of the instructions, I was contemplating giving up as I just couldn’t see how a piece of music would emerge from this. But I decided to stick with it and duly followed instructions by sampling the sound of a can of beer, a glass and some of my recently delivered graze snacks. (Or at least, that’s how I interpreted it)
Suitably refreshed, I set about editing the raw sounds and came up with some great ring-pull percussion, fizzy hi hats and a lovely bell like sound from the beer glass handle. Slamming the (empty) glass on the desk gave me the kick drum.
Once I had a basic beat laid down, it was time to add some melody lines. Taking the humming sound as my starting point, I managed to coax some beautiful glassy noises from my voice.
For the interweaving melodies, the technique I used here was to play the same note progression three times, but each time an octave higher and at an increasing tempo.
Even if I do say so myself, I was really happy with the finished track and it gave me goosebumps the first time I played it through.
So, here is ‘Out from the cold’.
What a great weekend of experimentation! And I might even have beaten the writers block I’ve been (silently) suffering with for the last couple of years. Thanks Ableton!