Category Archives: Music

Hello again!

Hello again, it’s been a while! The last 18 months have seen me buy a new house, move in, move out again, then pretty much rebuild it.

We are finally getting back to normality though, and I now have the luxury of a dedicated studio space in the house (no more shed at the end of the garden!).

Whilst unpacking my equipment, I decided it was time to give some TLC to some of my more aged items.

Korg DDD-1 Drum Machine

Korg launched the DDD-1 drum machine in 1986. Built like a tank, it’s sounds have arguably aged better than competitor drum machines of the day such as the Roland TR-505 and Yamaha RX series. You aren’t limited to the 18 onboard sounds either, as it has 4 rom card expansion slots and Korg released a large number of expansions which pop up from time to time on ebay.

It also has an optional sampling board but these are very difficult to find, not to mention cost prohibitive on those rare occasions when one comes up for sale. More usefully though, an enterprising individual has reverse-engineered the rom cards and built an adapter that lets you add your own sounds, stored on EPROM chips.

I have a couple of these adapters myself, and have started burning my own EPROM’s with sounds created on my modular system. Of course, as the DDD-1 is only 8-bit, the samples don’t sound exactly the same as the originals, but this only serves to make them more unique.

Time for surgery

I purchased my DDD-1 a couple of years ago, and it generally works fine, but does have a high-pitched whining noise which I suspect comes from the LCD backlight. This isn’t present on the audio outputs though so is something I’ve largely learned to live with.

More recently though, I’ve noticed that the selection slider is a bit temperamental and the plus and minus selection buttons need quite a hard push before they work, which makes it difficult to program. Being over 30 years old, there’s a high probability the back-up battery will soon fail too, so I’ve decided some surgery is in order.

The back-up battery is your usual CR2032 button affair, although in their wisdom, Korg elected to solder this on the board. So I’ll also be fitting a battery holder to make future maintenance easier.

Acidplanet remixes

Have posted a couple more older remixes to my Soundcloud page, both of which were originally for competitions on the Acidplanet website.

Bleed Electric – Birds as High as Planes (ScarKord Remix)

Starting with Bleed Electric’s Birds as High as Planes (ScarKord Remix), which is a pretty frenetic Drum and Bass version with some lovely bass sweeps and a crazy amount of edits on the vocals.

Lords of Acid – Drowning in Ecstasy (ScarKord Remix)

This is followed by a remix of Drowning in Ecstasy by Lords of Acid. My main recollection of this remix is that I really didn’t think much of the vocals, particularly in the verses, so I went full on Cylon with the help of a Vocoder to dirty them up and disguise the cheesy lyrics. Add some Aphex style percussion and an overdriven acid bassline and there you have it!

Clearing the Decks

Have posted a few more remixes to my Soundcloud account, two some of you may of heard before and one you definitely won’t have!

Firstly, I’ve uploaded my remix of Jesus Jones‘ ‘Idiot Stare’ from back in 2005. Not much to say about that one other than it was already a good track, and I (hopefully) improved it a little by beefing up the drums.

The second track is a lot more exciting though, and truly a lost remix! The story behind my remix of Gabriel Rios‘ track ‘Broad Daylight’ starts in 2007. I was working for the Digital Agency LBI and one lunchtime, demonstrated to a colleague Paul how I used Sonic Foundry’s Acid software to produce my remixes. He passed me the Gabriel Rios track to see what I could do with it and this is the result.

Ten years on, and it still sounds really fresh to my ears. I should probably have put it out long ago, but better late than never!

Rounding things off is one of two remixes I did of the Amanda Blank track ‘Might Like You Better’ back in 2009.

The other remix was a quick drum and bass remix, but trust me, this was by far the better version. It even has one of my trademark fake endings with bonus acid synths.

I wonder what I’ll find next 😉

Simple modular sequencing with Max For Live

Have been working on Max For Live patches to sequence my Drum Skiff.

As I mentioned previously, I’m using an excellent Max For Live Mutable Grids emulation by Mots, along with a CVPal controller patch from Spektro Audio. (Check out their CV Toolkit too!).

This outputs three channels of drum triggers (or gates) through the CV Pal module, all perfectly synced to Ableton Live. So I wanted to do something creative with the unused fourth CV Pal output.

Max For Live Patch

I came up with a simple Max For Live patch which outputs a MIDI note at regular intervals ranging from half-notes through to 32nd notes. By using this in-line with the Grids emulation and CVPal controller, it acts as a clock source for the Pico Trigger module giving me lots of trigger options for my drum modules.

Meat Beat Manifesto – ScarKord Mixtape

Another mix from my archives. This time, a mini mixtape of sorts built around drum and synth loops from various Meat Beat Manifesto tracks, remixes and solo tracks by Jack Dangers. Includes the obligatory ‘Radio Babylon’ too but with a new, dirty acid bassline I added in there to spice things up a little. “It’s in my brain now…” and hopefully, in yours too

Who we are? (ScarKord Remix)

Just finished my second remix for Savage Sound System featuring vocals by Werd. Couldn’t decide whether to go uptempo or downtempo, so included elements of both in the same mix

Very different sounding to the original, both musically but also in terms of the vocals which have tons of microedits to get the timing to fit. Really happy with how it turned out, particularly the switch to the double time ‘rap’ section at around 1:15.

The instrumental part from 1:45 onwards reminds me a little of Orbital now I think of it, but this was entirely unintentional 😉